Volume 4

Issue 12 Vol 4, No 1 Spring 2003
	Leno, Mexican Lace, Brook’s Bouquet, and Leno Motifs Enlarging some of the openings between a fabric’s threads forms lace, and these laces are formed by manipulating the warp ends through twisting or wrapping. A pointed pick-up stick and small boat shuttle make twisting easier than you imagine. Projects include a leno sampler striped valance for a kitchen window, lace sampler place mats (each one different), and designing your own lace motifs. Also included:
Also included Hems plus lace—an ideal combination
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Issue 13 Vol 4, No 2 Summer 2003
	Four-Shaft Twill Sampler Compare a woven cloth to the black and white squares of a graphed drawdown and you’ll quickly realize the shortcomings of the graphed representation. As absolutely indispensable as drawdowns are, their rigid rows of squares are mocked by the yarns of the cloth, which nestle together according to their own rules. Explore the possibilities of four-shaft straight twill threadings by choosing from sixty-two treadling variations (you can design even more yourself), and weave a reference sampler or several Sampler Hand Towels, Guest Towels, and Cord Weave Scarf.
Also included Using a basic tie-up for any shaft combination How to prevent (or catch) mistakes
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Issue 14 Vol 4, No 3 Fall 2003
	Summer & Winter Usually a multishaft weave structure, weaving summer & winter on four shafts provides the five texture variations on two threaded blocks. But with an easy and fast pickup technique, impressively large designs can be woven. Two techniques, the traditional method and the simple method, allow you to weave runners or place mats with Snowflake, Star, Deer, Quilt Block, Heart in Hand, and Medallion motifs. Other projects include Hopi Maze Place Mats to amuse and entertain waiting children and Peace Towels with borders reading either Peace or Whirled Peas (your choice).
Also included How to fix a crazy shuttle pass
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Issue 15 Vol 4, No 4 Winter 2003
	Kitchen Dye Techniques I confess: traditional methods of dyeing based on industrial methods cause my head to go to sleep. I am more at ease with simplified kitchen methods and common sense with a simple method that I can repeat easily from my notes. A good dye to start with is MX-fiber reactive dye for cotton (and other cellulose-type fibers). This method involves soaking small skeins of yarn in a dye activator, dyeing with small amounts of dye in clear plastic drinking cups, and placing the skeins in plastic sandwich bags to set the dye. Also shown is a simple way to get eight shades of the same color, from dark to light.
Also included Painting yarns Winding yarn on a niddy noddy Dyeing with Kool-Aid
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Issue 16 Vol 5, No 1 Spring 2004
	Monk's Belt and Bias Cloth Strips Cloth cut on the bias (45-degree diagonal) is stretchy and easy to mold. As pattern weft, it constricts to intersect the ground fabric and then flares out to provide coverage for floats. Bias doesn't ravel but forms short fringes on each side of the strip. As pattern weft in monk's belt fabrics, bias cloth strips can look like chenille after the fabric is washed. Several projects woven in monk's belt show the effects of sizing up both pattern and background yarns to make heavier fabrics. Projects include Cloth Strip Totes, Chenille Gridwork Pillows, Purse on a String, place mats, and a bias Striped Tea Cozy and Napkins.
Also included How to cut bias from any width fabric Using a triangle to weave balanced fabric
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Issue 17
	Twill and Basket Weave Combined In the world of four-shaft weave structures, 2/2 twill and 2/2 basket weave are an admirable match because their float lengths are the same. They contrast beautifully whether in the warp or weft. The linear grid of basket weave sets off the diagonal movement of twill and its variations. Projects include Classic Twill Towels (shown in the cover photo), Twill Stripes Towel, Twill Mosaic Towels, and Twill Squares Towels.
Also included What Size Shall I Make My Towel? Finishing the Ends of Towels
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Issue 18
	Principles of Classic Overshot Overshot is a wonderfully logical system of threading and treadling that's perfect for the four-shaft loom. Although historic textiles show many divergences from classic overshot, learning the principles enables you to weave and design beautifully symmetrical patterns. Design keys, graphic representations showing the order and length of pattern blocks, make it easy to compare overshot drafts from any source to highlight their commonalities and differences. Projects include Holiday Star Towels, quick-to-weave chunky towels with Star of Bethlehem overshot, Primrose Plaid Place Mats, and Nine-Patch Place Mats.
Also included Floating Selvedges for Truly Balanced Patterns Comparing Overshot Threadings
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Issue 19
	Log Cabin and Where It Leads Log cabin is a color-and-weave effect in plain weave with rectangular areas of horizontal or vertical lines. Ripsmatta or warp rep is a variation that spaces the warp ends closely together. The color interaction is enhanced by weaving one row with a very heavy weft and the next with a very fine weft. Shadow weave alternates dark and light yarns in a weave structure more elaborate than plain weave. Projects include Spring Showers Baby Blanket in plain-weave log cabin with space-dyed and solid-color yarns alternating, Bamboo Shoots Rep Placemats with a heavy string yarn weft, Chenille Scarf and White Scarf in an easy-to-treadle shadow weave, and Crocus in Snow Towels and Grape Harvest Runner in shadow weave.
Also included The easy way to interlock two alternating wefts at the edges of plain weave Tips for Keeping Your Place in Shadow Weave Treadlings
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Issue 20
	Danish Medallion and Accents for Plain Weave With all the square intersections in woven fabric, handweavers treasure techniques that soften angularity with curves. An easy hand-manipulated technique, Danish medallion introduces graceful ovals with an embroidery-like clasp of groups of already woven rows. Learn the process of weaving Danish medallion with ovals as well as variations. Then try designing a few accent rows or scattered accents for plain-weave projects, such as guest towels. Projects include Spring Flowers Towels, Place Mats with Danish Medallion Ovals, Place Mats with Danish Medallion Stars, and Guest Towels.
Also included Tips for inventing accent patterns using the twill treadles Hiding yarn tails when stopping and starting weft yarns
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Issue 21
	Double Weave Pick-Up Double weave is magic--at least it seems so the first time you experience it. The four-shaft loom you've been using to weave single-layer fabrics suddenly produces two layers of cloth, each of them in plain weave. Double weave pick-up exchanges the two layers in areas you control with a pick-up stick as you weave. Learn two easy step-by-step methods for working graphed designs in double weave pick-up. Projects include several Double Weave Mug Rugs and a Double Weave Checked Place Mat.
Also included How to create your own graphed designs Warping double weave from the front of the loom End finishes for double weave
Issue 22
	Twill M's and W's The hills and valleys of point twill provide many opportunities for creative adventures. The threading drafts often have sections that look like M's or W's. Easy to design, thread, and treadle, M's and W's twillls are fast to weave with one color in the warp and a contrasting color in the weft. Use the many treadlings shown or learn to design your own variations. Put on a long warp and weave each piece with a different weft color. Named after mountains in Oregon, projects woven with 8/2 unmercerized cotton include Black Butte Twill Towels, Broken Top Twill Towels, and Three Sisters Twill Towels. M's and W's twills are also perfect for scarves, such as the Bamboo Scarf project.
Also included Optimizing Floating Selvedges for Twills Centering Point Twill Repeats Designing Easy Twill Treadlings
Issue 23
	Mock Satin Damask Whether you call it Barleycorn (Gerstenkorn in German), spot weave (droppdräll in Swedish), Spot Bronson, or diaper (J. and R. Bronson's original designation), this float weave is simple to thread and weave, and it has many variations. The reversibility of the fabric and the ease of design, threading, and treadling make this weave structure very versatile. Traditionally, barleycorn was used for linen textiles, but it is wonderful for scarves, throws, and blankets as well. Projects include Yellow Barleycorn Mats or Towels with a diamond pattern, Green Barleycorn Mats or Towels with ovals, Blue Barleycorn Mats or Towels with circles and lacy blocks, and Wool Barleycorn Throw with the same pattern as the blue mats or towels, and an unusual Two-Color Barleycorn Scarf.
Also included Special Selvedges for Barleycorn Article on Substituting Yarns
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